Melbourne’s dirtiest, darkest and heaviest funk rhythm section – bring you an album of crunchy post-soul post-jazz mystery-cinema instrumentals for your turntable and your sampler. Produced by Paul Bender (Hiatus Kaiyote) and feat. collaborations with luminaries such as Bilal and Miguel Atwood-Ferguson, this record is a hard-hitting, abstract journey into an alternate reality where The Meters specialised in Sci-Fi soundtrack art and Dick Dale played guitar on Madlib records. Known for their instrumental 7inch funk cuts and their collaboration with Emma Donovan, this self-titled LP is the first full-length release to the band’s name and is well worth the wait.
A1 | Prologue | |
A2 | The Ways | |
A3 | Oranges | |
A4 | Heavy Shit | |
A5 | Yellow | |
A6 | Hold On | |
A7 | Little Flower | |
A8 | No Man No | |
B1 | Straight | |
B2 | Drones | |
B3 | Bmx | |
B4 | No Bench | |
B5 | No Bench Outro | |
B6 | Soma | |
B7 | Silver | |
B8 | Slowes Slow Dance |
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